[Verse - Play arp but hit snare and all low strings at same time to get bass note] It's [C] nine o' - [G/B] clock on a [F/A] Saturday [C/G] [F] The regular [C/E] crowd shuffles [D7] in [G] There's an [C] old man [G/B] sitting [F/A] next to me [C/G] Making [F] love to his [G7sus4] tonic and [C] gin
He says, [C] Son, can you [G/B] play me a [F/A] memory? [C/G] I'm [F] not really sure [C/E] how it [D7] goes, [G] But it's [C] sad and it's [G/B] sweet and I [F/A] knew it complete [C/G] When [F] I wore a [G7sus4] younger man's [C] clothes
[Am] Laa la [Am/G] laa litty [D7/F#] daah,[Am/F-102210][G] [Am] La laa [Am/G] litty daa [D7/F#] daah da dum [G][G/F-120003][C/E-032013][G/D-x55433]
[Chorus] [C] Sing us a [G/B] song, you're the [F/A] piano man [C/G] [F] Sing us a [C/E] song to - [D7] night [G] .. 'Cause we're [C] all in the [G/B] mood for a [F/A] melody [C/G] ..And [F] you've got us [G7sus4] feeling all - [C] right
[Verse] Now [C] John at the [G/B] bar is a [F/A] friend of mine [C/G] He [F] gets me my [C/E] drinks for [D7] free [G] And he's [C] quick with a [G/B] joke or a [F/A] light up your [C/G] smoke, But there's [F] some place that's [G7sus4] he'd rather [C] be [C][F/C][F/C]
He says, [C] Bill, I be [G/B] lieve this is [F/A] killing me [C/G] As the [F] smile ran a - [C/E] way from his [D7] face [G] "Well, [C] I'm sure that [G/B] I could be [F/A] a movie [C/G] star If [F] I could get [G7sus4] out of this [C] place.
[Am] Laa la [Am/G] laa litty [D7/F#] daah,[Am/F-G] [Am] La laa [Am/G] litty daa [D7/F#] daah da dum [G][G/F][C/Ei][G/D]
[Verse] Now [C] Paul is a [G/B] real estate [F/A] novelist [C/G] Who [F] never had [C/E] time for a [D7] wife [G] And he's [C] talking to [G/B] Davy who's [F/A] still in the [C/G] Navy And [F] probably [G7sus4] will be for [C] life
And the [C] Waitress is [G/B] practicing [F/A] politics [C/G] As the [F] businessmen [C/E] slowly get [D7] stoned [G] Yes, they're [C] sharing a [G/B] drink they call [F/A] loneliness, [C/G] But it's [F] better than [G7sus4] drinking a - [C] lone
[Chorus] [C] Sing us a [G/B] song, you're the [F/A] piano man [C/G] [F] Sing us a [C/E] song to - [D7] night [G] 'Cause we're [C] all in the [G/B] mood for a [F/A] melody [C/G] And [F] you've got us [G7sus4] feeling all - [C] right
[Verse] It's a [C] pretty good crowd [G/B] for a [F/A] Saturday [C/G] And the [F] manager [C/E] gives me a smile [D7][G] 'Cause he [C] knows that it's [G/B] me they've been [F/A] coming to see [C/G] To for - [F] get about [G7sus4] life for a [C] while
[Small Build][C] - [C] - [F/C] - [F/C]
And the [C] piano [G/B] sounds like a [F/A] carnival [C/G] And the [F] microphone [C/E] smells like a [D7] beer [G] And they [C] sit at the [G/B] bar and put [F/A] bread in my [C/G] jar And say [F] Man, what are [G7sus4] you doin' [C] here?"
[Am] Laa la [Am/G] laa litty [D7/F#] daah,[Am/F-G] [Am] La laa [Am/G] litty daa [D7/F#] daah da dum [G][G/F][C/Ei][G/D]
[Chorus] [C] Sing us a [G/B] song, you're the [F/A] piano man [C/G] [F] Sing us a [C/E] song to - [D7] night [G] 'Cause we're [C] all in the [G/B] mood for a [F/A] melody [C/G] And [F] you've got us [G7sus4] feeling all - [C] right
[Notes] [Tab for piano figure at start of song] Use first finger to play B string then second for E as nail is longer - better articulation first 4 notes are 16th notes, then triplets for rest of phrase -------(fast--------slower---------------) E 1----------10h12--15-14-13-12- B 1----10h13--------------------16-15-14-13 G 2---------------------------------- D 0--(leave-ringing)--------------- sp = slight pause -------------------------------(sp)-- E 1---6h7h8-6h7h8-6h8----3h4h5--------3-- B 0---------------------------3---3h5--(let 3 ring) G 1----------------------------------- D 0-----------------------------------
[Tab for main Intro] E -3--5310--55--X---X--X---2--3------- B -5---300--65--1---1--1-311--3-5-6--- G -5---400--55--0---2--0---2--4------- D -5---500--77--2---3--2---0--5------- A -3---5xx--88--3---3--3------5------- E -----333-(55)-3---1--0------3------- Dr B S B S B S B S
E -3--53----55--X---1--1-0-- B -5---354--65--1---1--1-1-3 G -5---4----55--0---2--0--- D -5---5----77--2---3--0--- A -3---5----88--3---3--x--- E -----3---(55)-3---1--3--- Dr B S B S B S
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[Tab - Build up verse] E -0---1---3---1-1-1--- B -1---1---3---1-1-1--- G -0---2---4---2-2-2--- x 2 D -2---3---5---3-2-0--- A -3---3---3----------- E ---------------------
[Tab - Part of intro over harmonica] E -3--53----55--X----1--1-0-- B -5---354--65--1----1--1-1-3 G -5---4----55--0----2--0--- D -5---5----77--2----3--0--- A -3---5----88--3----3--x--- E -----3---(55)-3----1--3--- Dr B S B S B S
Standard fingering with R/H so can play descending Bsus2 arp fluently E 1--1--1-0h1p0--1- B -----1-------1--- G --2-2---------2-- D ----------------- A --------0-------- E 1---------------- DRB-S-B-S-B---S-B-S-B
E --------------------- B ----6-3-----6-3------ G --3----5p3-3---5p35-- D --------------------- A --------------------- E -3-3------3----------
E --3-1p0----3--1p0-------1-------1------ B -1-----3p1-------1-11h3--3p1------3p1-1 G ------------------0----3----3--3-----3- D -----------------------------3--------- A 0---------3--3------1---------1-------- E --------------------------------------- When descending the notes of the Bsus2 do the pulloff with the little finger and then move that to 3rd fret of D string - to fret - nice rolling sustained figure [Repeat above once]
[Verse1] They say that [F] these are not the [Fmaj7/A] best of times But [Gm7] they're the only [Bbsus2] times I've ever [F] known [Fmaj7/A][Gm7][Bbsus2] And I [F] believe there is a [Fmaj7/A] time for medi [Gm7] tation In [Bbsus2] cathedrals of our [C] own ([C][G]) [C][A7] Now I've [Dm] seen that sad sur [C] render in my [Bbsus2] lover's eyes [Bbsus2/A] And [G7sus4] I can only [G7] stand upon and [Cadd9] sympathize [C] For we are [Bb] always what our [F] situations [Gm7] hand us It's either [C] sadness or [Bbsus2] euphoria - [Eb][Bbsus2] (drums in)
[Verse2] So we'll [F] argue and we'll [Fmaj7/A] compromise And [Gm7] realize that [Bbsus2] nothing's ever [F] changed [Fmaj7/A][Gm7][Bbsus2] ..For all our [F] mutual [Fmaj7/A] experience Our [Gm7] separate con [Bbsus2] clusions are the [C] same ([C][G]) [C][A7] .. Now we are [Dm] forced to recog [C] nize our inhu [Bbsus2] manity [Bbsus2/A] .. Our [G7sus4] reason co [G7] exists with our in [Cadd9] sanity [C] .. And though we [Bb] choose between re [F] ality and [Gm7] madness .. It's either [C] sadness or [Bbsus2] euphoria [Eb][Bbsus2]
[Verse3] How [Dm] thoughtlessly we [C] dissipate our [Bbsus2] energies [Bbsus2/A] Per [G7sus4] haps we don't ful [G7] fill each other's [Cadd9] fantasies [C] .. And as we [Bb] stand upon the [F] ledges of our [Gm7] lives With our [C] respective simi [Bbsus2] larities [Eb][Bbsus2] It's either [C] sadness or [F] euphoria.
[Outro] [F][Fmaj7/A][Gm7][Bbsus2] [F] Wo [Fmaj7/A] oo woh oo [Gm7] oh oo [Bbsus2] woh oh oo [F] oh [Fmaj7/A] ooh [Gm7] wo ooh [Bbsus2] woh oh oo (slows done to end) [Am7] woh oh [C] oh [Bbsus2] oh [C - (C C Cadd9 C Cadd6)] [F]
[Notes] Final chord C C C9 C C6 (x3x210 - move 2nd finger up to G string when playing normal C)
