[Intro - BPM 80 - Down strums - emphase high E string on second and third Cs] [C* = x32013 C9sus4 = x32031] CxxC xCC9x xCxC CC9xx C*xxC* xC*C9sus4x xC*xC* C*C9sus4xx
[Verse 1] [(n.c)] Do you like good music? ( [F] Yeah, yeah), sweet soul music, ( [C] yeah, yeah). Just as long as it's swingin', ( [F] yeah, yeah), Oh [Am] yeah, [G] oh [F] yeah. [C]
[Verse 2] [C] Out on the floor now, ( [F] yeah, yeah), we're going to a go-go, ( [C] yeah, yeah). Ah, dancin' to the music, ( [F] yeah, yeah), Oh [Am] yeah, [G] oh [F] yeah. [C]
[Verse 6] Spot- [C] light on Otis Redding now, ( [F] yeah, yeah), Singin'; 'Fa Fa Fa Fa Fa Fa', ( [C] yeah, yeah), 'Fa Fa Fa Fa Fa Fa', ( [F] yeah, yeah), Oh [Am] yeah, [G] oh [F] yeah. [C]
[Verse 7] Spot- [(n.C)] light on James Brown now, ( [F] yeah, yeah), He's the king of them all now, ( [C] yeah, yeah). He's the king of them all now, ( [F] yeah, yeah), Oh [Am] yeah, [G] oh [F] yeah. [C]
[Verse 8] [C] Do you like good music? ( [F] Yeah, yeah), sweet soul music, ( [C] yeah, yeah). Just as long as it's swingin', ( [F] yeah, yeah), Oh [Am] yeah, [G] oh [F] yeah. [C]
[Coda - Play intro riff to end] [C]I got to get the feeling, I got to get the feeling. Do you like good music? That sweet soul music. Help me get the feeling, I want to get the feeling. Otis Redding got the feeling... (Fade)
[End]
[Notes - Ignore] [Intro] - Horn figure Play C C then C9 at end for first time - then second time with harmony - x32013 x32031 Play with downstrokes to emphasis line on treble strings - Bass drum every 4 beats even when not in line with chord strums - slight mute on chord strum bass bit Drums start on snare after "do you like good mu [S] sic" - first chord played is F
C E 0 x B 3-1 G 2-0 E 0 0 B x 3 x 1 G 2-0 x 2 then E 0 x B 3-1 G 2-0 then FF C FF C FF C Long Phrase x2 Final short phrase twice 1&(2)& With BBSB xBSx BBSB spotlight on James Brown yall (S)
Vox - 3rd on let, double in middle? Am/C play x3x555 - try to play second note of double on snare with fingers below strings Thumb and chord, then am below soundhole
[Intro] BPM 160 N.C. One, two three, four ... | E7 | % | % | % |
[Verse 1] - Well she was [E7] just seventeen and you [A7] know what I [E7] mean And the [E7] way she looked was way beyond compare [B7] So [E] how could I [E7/G#] dance with [A] another oh [Am/C], When I [E7] saw her [B7] standing there [E7]
[Verse 2] - Well [E7] she looked at me and [A7] I, I could [E7] see That [E7] before too long I'd fall in love with [B7] her [E] She [E7/G#] wouldn't [A] dance with [Am/C] another, ooh When I [E] saw her [B7] standing there [E7]
[Bridge] - Well my [A] heart went boom When I [A]crossed that room And I [A] held her hand in mine [B7][A7]
[Verse 3] - Well we [E7] danced through the night and we [A7] eld each other [E7] tight And [E7] before too long I fell in love with [B7] her Now [E] I'll [E7/G#] never [A7] dance with [Am/C] another, oh Oh, since I [E7] saw her [B7] standing there [E7]
[Bridge] Well my [A] heart went boom When I [A]crossed that room And I [A] held her hand in mine [B7][A7]
[Verse 4] - Well we [E7] danced through the night and we [A7] eld each other [E7] tight And [E7] before too long I fell in love with [B7] her Now [E] I'll [E7/G#] never [A7] dance with [Am/C] another, oh Oh, since I [E7] saw her [B7] standing [E7] there [Outro] Oh, since I [E7] saw her [B7] standing [E7] there Yeah, well, since I [E7] saw her [B7] standing there [x x A7 x (A7 A7) x x E7 E7 E7 E9 ........ E7]
