"Do I look alright" bit - E string 5p3h5 7 over Em
play full C maj bar at 7 for the finger picking bit - fingers in better position??
[BPM 96] [Intro over G D/F# C D] Solo - G at 7th fret - C shape, D - xx077x E string 7 B 10 8, C - 7xx87x B string 12 10 8 Arpeggiate the chords before playing the solo parts up up up down - then this phrase for D
[Verse 1 - phrase with Em is to play high E 5p3 5 7 with as many notes from E min ringing under] [G] It's late in the [D/F#] evening, [C] she's wondering what cl [D] othes to wear. [G] She puts on her [D/F#] make-up, [C] and brushes her [D] long blonde hair. [C] And then she a [D] sks me [G] "Do I [D/F#] look all [Em] right?" And I say "Y [C] es, you look w [D] onderful toni [G] ght!"
[Riff] [Verse 2] [G] We'd go to [D/F#] party, [C] and everyone t [D] urns to see [G] This beautiful [D/F#] lady, [C] that's walking ar [D] ound with me. [C] And then she [D] asks me: [G] "Do you [D/F#] feel all right [Em] ?" And I say: "Y [C] es, I feel w [D] onderful ton [G] ight!" [Linking phrase] [Stay on G to come into Bridge - can play G strum then b string 10-12 xxx0 x 10h12 xxx0x10 implies G] [Bridge - phrase with Em is to play high E 5p3 5 7 with as many notes from E min ringing under] I feel w [C] onderful bec [D] ause I see the l [G] ove light [D/F#] in your e [Em] yes, And the w [C] onder of it a [D] ll is that you j [C] ust don't real [D] ise, How much I l [G] ove you! [Riff] [Verse 3] [G] It's time to go [D/F#] home now, [C] and I've got an aching [D] head [G] So I give her the [D/F#] car keys, [C] and she helps me to [D] bed. [C] And then I t [D] ell her, [G] as I [D/F#] turn off the l [Em] ight: I say: "My d [C] arling, you are w [D] onderful ton [G] ight! [D/F#][Em] Oh my [C] darling, you were w [D] onderful t [G] onight." [Riff / Solo out- - end xxx0 15 15]
[Verse 1 - Full time] [Am7] Too many broken hearts have [F] fallen in the river [C] Too many [Em/B] lonely souls have [D] drifted out to sea [F] You lay your bets and then you [Am/E] pay the [E] price The [Dm] things we do for [C] love The th [Dm7/G] ings we do for [C] love
[Verse 2] [Am7] Communication is the [F] problem to the answer [C] You've got her [Em/B] number and your [D] hand is on the phone [F] The weather's turned and all the [Am/E] lines are [E] down The [Dm] things we do for [C] love The [Dm7/G] things we do for [C] love
[Bridge] Like walking [C] in the rain a [C/G] nd the snow when there's [C] Nowhere to [C/G] go when you're [Dm] Feeling like a [Dm/C] part of you is [G7/B] dying [G7] And you're [Am] looking for the [G] answer in her [F] eyes [D9/F#] You [G] think you're gonna [E7/G#] break up Then she [Am] says she wants to [Fm] make up
[Middle 8 - Half time] [F#/G#] Ooh you make me [C#/G#] love you [D#m/G#] Ooh you've got a [C#/G#] way [F#/G#] Ooh you had me [C#/G#] crawling On [G#m7] the floor (oooh oooh ...) [G#m7]
[Solo] = [Verse] Am7 | F | C Em/B | D | F Am/E E Dm | C Dm7/G | C (break)
[Bridge] Like walking [C] in the rain a [C/G] nd the snow when there's [C] Nowhere to [C/G] go when you're [Dm] Feeling like a [Dm/C] part of you is [G7/B] dying [G7] And you're [Am] looking for the [G] answer in her [F] eyes [D9/F#] You [G] think you're gonna [E7/G#] break up Then she [Am] says she wants to [Fm] make up
[Middle 8 - Half time] [F#/G#] Ooh you make me [C#/G#] love you [D#m/G#] Ooh you've got a [C#/G#] way [F#/G#] Ooh you had me [C#/G#] crawling On the [G#m7] floor --------
[Verse 3] [Am7] A compromise would surely [F] help the situation [C] Agree to [Em/B] disagree but [D] disagree before [F] When after all it's just a [Am/E] compro [E] mise Of the [Dm] things we do for [C] love (The [Dm7/G] things we do for [C] love)
[Outro] The [Dm7/G] things we do for [C] love (The [Dm7/G] things we do for [C] love) (repeat and fade)
